10/15/2020 0 Comments Erik Satie Songs
About 1890 he became associated with the Rosicrucian movement and wrote several works under its influence, notably the Messe des pauvres (composed 1895; Mass of the Poor ).In 1893, when he was 27, Satie had a stormy affair with the painter Suzanne Valadon.From 1898 he lived alone in Arcueil, a Paris suburb, cultivating an eccentric mode of life and permitting no one to enter his apartment.Beginning in 1905, he studied at the Schola Cantorum under Vincent dIndy and Albert Roussel for three years.
About 1917 the group of young composers known as Les Six adopted him as their patron saint. ![]() Saties music represents the first definite break with 19th-century French Romanticism; it also stands in opposition to the works of composer Claude Debussy. Saties flippancy and eccentricity, an intimate part of his musical aesthetic, epitomized the avant-garde ideal of a fusion of art and life into an often startling but unified personality. He sought to strip pretentiousness and sentimentality from music and thereby reveal an austere essence. This desire is reflected in piano pieces such as Trois Gnossiennes (1890), notated without bar lines or key signatures. Other early piano pieces, such as Trois Sarabandes (1887) and Trois Gymnopdies (1888), use then-novel chords that reveal him as a pioneer in harmony. His ballet Parade (1917; choreographed by Lonide Massine, scenario by Jean Cocteau, stage design and costumes by Pablo Picasso ) was scored for typewriters, sirens, airplane propellers, ticker tape, and a lottery wheel and anticipated the use of jazz materials by Igor Stravinsky and others. The word Surrealism was used for the first time in Guillaume Apollinaire s program notes for Parade. Saties masterpiece, Socrate for four sopranos and chamber orchestra (1918), is based on the dialogues of Plato. His last, completely serious piano works are the five Nocturnes (1919). Saties ballet Relche (1924) contains a Surrealistic film sequence by Ren Clair; the film score Entracte, or Cinma, serves as an example of his ideal background, or furniture, music. Get exclusive access to content from our 1768 First Edition with your subscription. They also deplored the nonmusical influences in his lifeduring his last 10 years his best friends were painters, many of whom he had met while a caf pianist. Satie was nonetheless deeply admired by composers of the rank of Darius Milhaud, Maurice Ravel, and, in particular, Claude Debussyof whom he was an intimate friend for close to 30 years. His influence on French composers of the early 20th century and on the later school of Neoclassicism was profound. These two films established Clair as a leader of the avant-garde.
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